Love Utopia

Love Utopia is a narrative RPG set in a town where romance has been reduced to repeatable tasks, countdowns, and coin rewards. Players arrive through the cable car expecting a soft pastel love utopia, then gradually discover that every encounter is timed, unfinished tasks have to be repeated with someone new, and the town becomes harder to move through the longer they stay.

Design Premise

The project grew from noticing more and more forms of fast-food love in everyday life. People meet, get together quickly, and then separate just as quickly. That pattern felt less like intimacy and more like a social routine, which became the starting point for this satire.

Interviews with 100 people and a questionnaire with 30 responses helped confirm that same contradiction. Many people described short-term romance as unstable or superficial, yet still moved through it in their own lives. Instead of explaining that tension from a distance, the game places the player inside a town built around quick attraction, short dating tasks, and constant replacement.

World Planning

Love Utopia was planned as a mountain town built around fast-food-style love, with the cable car as the only way in or out. The game was structured as a single-player PC RPG with an open town layout, four story chapters, and random dating tasks connecting the route from arrival to escape. On the production side, the plan combined Cinema 4D for town modeling and asset output with C# scripting in Visual Studio for game systems, interactions, events, save and load, and UI.

World Planning

Game Flow

The story moves through four chapters. Fresh Start brings the player into the town and teaches its dating rules. Dead End is where that routine stops working. Repeating tasks leaves fewer people available, alarms become easier to trigger, and prison makes it clear that staying inside the system leads nowhere. Attempt begins once the player decides to leave and starts collecting clues, money, and possible routes. Escape turns that plan into two endings, one by raft through the mayor's backyard lake and one through the cable car mechanic.

Map & Scene Design

The town map and its key scenes were planned around progression. The cable car station, commercial street, jail, mayor's house, chapel, woods, and lakeside edge all support the player's movement from dating tasks to avoidance and escape.

Character Design

The protagonist Alex was designed with an ambiguous gender presentation so players can project themselves into the role without a fixed identity being imposed too early. The supporting characters each hold a different part of the town's logic. Evans enforces the rule, Louis embodies the social order behind it, and Hannah controls the only infrastructure that can carry the player out.

Task Interface Design

In-Game System

Once the player enters town, romance is introduced as a task economy. Small dating-related jobs earn coins, and the rules of the town are explained as part of everyday play rather than as a separate moral lesson.

Each character carries a circle, and entering that circle starts a separate countdown for that relationship. When a timer runs out, the player can no longer stay with that person. If a task has not been finished in time, it has to be started again with someone else. Ignoring the limit triggers an alarm and the police take both people away. As more characters become unavailable, the player starts avoiding contact, moving through town more carefully, and eventually looking for a way to escape.

Trailer